Against all chances, the record gained Ween a cope with major-label Elektra against sustained odds, the step towards the big leagues do nothing to improve the duo’s state of mind. After a set of 1988 self-releases, entitled Axis: Daring as Boognish as well as the Live Mind Wedgie/WAD LP, Ween authorized to the Minneapolis-based 3rd party label Twin/Shade, which in 1990 released the double recording GodWeenSatan: The Oneness, a sprawling, frequently brilliant launch that careened through the headlong hardcore hurry of the starting “You Banged Up” towards the helium pop of “Don’t Chuckle I REALLY LIKE You” towards the Prince-Xeroxed funk of “L.M.L.Con.P.” A proceed to the Shimmy Disk label followed before the discharge of 1991’s The Pod, another masterpiece of dementia documented on four-track consuming inhaled Scotchgard darker and even more deranged than its forerunner, The Pod extended the Ween palette to add Beatlesque pop (the sublime “Pork Move Egg and Mozzarella cheese”), oddball folk (“Oh My Dear ”), and mystic hard rock and roll (“Captain Illusion”). At a comparable period, Freeman - operating beneath the name Artificial Socks - released an eponymous 1987 single cassette for the fledgling TeenBeat label, Ween released their personal debut tape, THE KEY Squeegie Lip, independently Parrot O’ Pray imprint.
The duo shaped in suburban New Wish, Pa in 1984, when 14 yr olds Mickey Melchiondo and Aaron Freeman used their particular fraternal aliases, Dean and Gene Ween, and slice the first of actually thousands of house recordings. Combined with the periodic frat-boy lapses into misogyny, racism, and homophobia, the band’s razor-sharp satire trim towards the inherently foolish heart of rock and roll & move with hilariously severe savagery fueled by psilocybin mushrooms and an all-consuming craving for sizzling hot meals, Ween made their very own self-contained world, a parallel aspect where the just sacred cow was their personal demon god, the Boognish. Despite a mastery of apparently every mutation from the musical range, the group refused to try out it straight essentially, Ween had been bratty deconstructionists, kicking dirt over the pop globe around them with demented glee. Ween were the best cosmic goof of the choice rock period, a prodigiously talented and deliriously odd duo whose function traveled much beyond the constraints of parody and novelty in to the heart of surrealist ecstasy.
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